Mike tells Sarah about an impending conflict, a dissident singer and America&apos;s first internet-enabled cancellation. Digressions include &quot;Freedom Fries&quot; and 1990s record company shenanigans. The co-hosts harmonize for the first time; Mike struggles not to call the Chicks by their former name. Content note: This episode includes misogynistic, racist and fatphobic language. Support us: <a href='https://patreon.com/yourewrongabout'>Subscribe on Patreon</a> <a href='https://www.paypal.com/paypalme/ywapodcast'>Donate on Paypal</a> <a href='https://www.teepublic.com/stores/youre-wrong-about?ref_id=10420'>Buy cute merch</a>Where else to find us: <a href='https://linktr.ee/whyaredads'>Sarah&apos;s other show, Why Are Dads</a> <a href='https://linktr.ee/maintenancephase'>Mike&apos;s other show, Maintenance Phase</a>Links!<ul><li><a href='https://www.youtube.com/watch?v=L2ksenLQ_RE'>The Chicks&apos; &quot;Ready to Run&quot; video</a></li><li><a href='https://medium.com/@Pittelman/another-country-80a05dd7fc15'>Karen Pittelman&apos;s &quot;Another Country&quot;</a></li><li><a href='https://www.google.com/books/edition/Dixie_Chicks/kU3-AAAAQBAJ?hl=en&amp;gbpv=1&amp;printsec=frontcover'>James Dickerson’s “Dixie Chicks: Down-Home and Backstage”</a></li><li><a href='https://www.jstor.org/stable/3598233?origin=JSTOR-pdf&amp;seq=1'>Elites, Masses, and Media </a></li><li><a href='https://journals.sagepub.com/doi/abs/10.1177/0196859920911650'>Too Famous to Protest: Far-Right Online Community Bonding Over Collective Desecration of Colin Kaepernick, Fame, and Celebrity Activism</a></li><li><a href='https://www.jstor.org/stable/3598233?origin=JSTOR-pdf&amp;seq=1'>Blacklists: The Dixie Chicks Controversy </a></li><li><a href='https://www.texasmonthly.com/arts-entertainment/chicks-in-the-wilderness/'>Chicks in the Wilderness</a></li><li><a href='http://content.time.com/time/subscriber/article/0,33009,1196419-1,00.html'>Chicks In the Line of Fire</a></li><li><a href='https://www.refinery29.com/en-us/dixie-chicks-cancelled-president-bush-controversy'>The Dixie Chicks Were Cancelled For Criticizing The President. Now, They’re Heroes.</a></li><li><a href='https://etd.ohiolink.edu/apexprod/rws_etd/send_file/send?accession=miami1228361434&amp;disposition=inline'>We’re Changing The Way We Do Business: A Critical Analysis Of The Dixie Chicks And The Country Music Industry</a></li><li><a href='https://link.springer.com/chapter/10.1007/978-1-137-08003-5_7'>The Country Connection: Country Music, 9/11, and the War on Terrorism</a></li><li><a href='https://ncac.org/resource/free-expression-after-september-11th-an-online-index'>Free Expression After September 11th: An Online Index</a></li><li><a href='https://www.aclu.org/files/FilesPDFs/dissent_report.pdf'>Freedom Under Fire: Dissent in Post-9/11 America</a></li><li><a href='https://digitalcommons.law.villanova.edu/cgi/viewcontent.cgi?article=1109&amp;context=mslj'>Exploring Iraq War News Coverage and a New Form of Censorship</a></li><li><a href='http://eprints.lse.ac.uk/3255/1/Freedom_fries.pdf'>The LSE&apos;s analysis of the Freedom Fries controversy</a></li><li><a href='https://www.savingcountrymusic.com/destroying-the-dixie-chicks-ten-years-after/'>Destroying The Dixie Chicks – Ten Years After</a></li><li><a href='https://lareviewofbooks.org/article/aocs-antifans/'>AOC’s Anti-Fans</a></li><li><a href='https://scholarscompass.vcu.edu/cgi/viewcontent.cgi?article=1250&amp;context=esr'>Racial Profiling And The War On Terror: Changing Trends And Perspectives</a></li><li><a href='https://online.ucpress.edu/gastronomica/article-abstract/5/1/56/45915'>Man Eats Dogs: The Hot Dog Stands of Chicago </a></li></ul><a rel="payment" href="http://patreon.com/yourewrongabout">Support the show</a> (http://patreon.com/yourewrongabout)

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The Chicks vs. The Iraq War

Michael Hobbes & Sarah Marshall